What Does a Great Story Look Like?
DH | Mar 26, 2009 | Comments 6
This week I have been writing about the power and value of organizational storytelling for the purpose of achieving sustained image and reputation leadership. But, what does a great story look like?
As someone who began my career in network television news, and then moved to a second career in public relations, storytelling comes second-nature … something I take for granted and wish I were better at doing. So I must stop, and dig down to explain the essential pillars of organizational storytelling.
Storytelling is about life. It is about sharing the human experience, something that is a common thread that tends to touch and connect with something inside each of us … that makes us laugh, or perhaps cry, or maybe just contemplate. We listen to a great story, and we often will retell it to a family member, friend or colleague.
As I find often during consulting, storytelling can easily be used to communicate vision, concepts, ideas and build consensus for an organization or company.
If you are the storyteller, you must love your story. You must believe in what you are sharing, passionately. You must bring it to life so that the story is right there, living between you and the audience.
A curious image, like a photo, can help … so long as it is closely tied to the story. Here’s a great example of corporate storytelling, using a photo. It was shot by my good friend, Ed Lallo, an Austin-based professional photographer who started his career in the newspaper business … so he knows how to tell a story with his camera.
There are as many different kinds of stories as colors in the rainbow. Just visit the National Storytelling Festival in Jonesborough, Tennessee. If you are interested in learning the spectrum of storytelling that might be applied to your organization, that’s the place to hear amazing storytellers and techniques. Yet, each story is about people. Not about concrete roads, buildings, companies, software, products, manufacturing plants or stuff … but about people, most often an individual who has experienced something in life. The story could be about the storyteller.
My old friend and colleague, Michael Deaver, was a masterful storyteller. He said that good storytelling must contain emotional, logical and analytical elements, working together, to capture attention. I agree. The emotional piece touches our hearts; the logical piece just makes sense; and, the analytical part is supported by facts and figures. We can tell a great story that might lack either the logical or analytical pieces but … it’s got to connect with the audience emotionally in order to really work.
Storytelling must also be timely and relevant to what’s happening in the world around us. Otherwise, while it could be a good story, it lacks perspective and context.
- Storytelling has a beginning: “Let me tell you a story …”
- A middle that contains an event or experience, and …
- An ending that wraps up the story with, perhaps, a lesson learned or a surprise twist.
While many people in public relations agree about the value of organizational storytelling, few practice it. There’s got to be a significant paradigm shift, from being overly obsessed with marketing, sales and promotion, and embracing a new style that is more sharing, more conversational, more open, more credible and transparent.
Let’s get something off the table – most press releases (at least 99.9997 percent of them) are not stories. They are sales promotion pieces, and that’s one reason why news releases are so ineffective in today’s world, whether to get the media’s interest or to capture the attention of anyone else. If, on the other hand, news releases were, God forbid, written as legitimate stories, I predict they could be wildly successful. But, they are not.
Techniques for organizational storytelling, and many more elements of contemporary communications leadership are detailed in my new book, “The Media Savvy Leader: Visibility, Influence, and Results in a Competitive World.”
Filed Under: Featured • Leadership • Storytelling






Great points here and I agree you must love your story in order to be a great story teller, people can see it in your emotion if you don’t love your story.
[...] storytelling series, Communications Leadership: Storytelling, A Great Story Has Legs, and What Does a Great Story Look Like? “We are all part of a storytelling culture in America,” Henderson notes in the first [...]
[...] storytelling series, Communications Leadership: Storytelling, A Great Story Has Legs, and What Does a Great Story Look Like? “We are all part of a storytelling culture in America,” Henderson notes in the first [...]
I hadn’t thought of story telling in an institutional sense before. Very interesting.
Last year I travelled around England visiting readers’ groups to find out why the participants were so passionate about engaging with story. That project made me realise how important narrative is to the mental well-being of individuals. As well as being great fun, of course. It gave me renewed enthusiasm in my work as a novelist.
Thanks for sharing the article.
Rod
Rod,
I would like to know more about what you learned during your trip around England.
David
Hi David,
I started from the observation that story telling seems to be intrinsic to the human condition. Wherever you go in the world, people tell stories.
In a very unscientific way, I went around asking keen readers why they engaged with narrative. The answers fell broadly into three categories.
Most commonly people said they read for escapism. To disappear. To forget themselves. To get out of their uninteresting or painful lives. There were many variations on this observation.
Then there were the people who said they read to learn about other times and places and people. To live another life and learn from it.
And third, getting towards the heart of the question, were people who said they read to understand themselves. To articulate experiences or feelings that they had had, but which they could not have found the words to describe. There were variations on this – but the theme was a kind of psychological healing.
The paradox is, that although we read stories to escape, the place we are escaping to is within ourselves.
A psychoanalyst told me that the characters within a story can take on the role of our different facets. As those characters interact and resolve their differences, in some ways we are resolving issues between the contending pats of our own selves.
Many answers to an apparently simple question. And all of them I think are operating at the same time. Typically, people who started off by saying ‘escapism’ would then elaborate, going into the deeper levels of their engagement with narrative.
The other aspect of my journey was learning about readers groups and the fabulous job they do. But that, as they say, is another story!
I hope that helps.
I did put the experience together in a short documentary called ‘YARN’. You may be able to get hold of a copy through the library service. I will probably podcast the whole thing in the near future.
When I do, I will certainly announce it on my blog: http://www.rodduncan.blogspot.com
All the best.
Rod